January 8: Welcome to the Hellmouth (Week 1)
[promo poster for the new show]
For our first week, we are introduced to the Buffyverse, the world of the television series, Buffy the Vampire Slayer, which is our core case study this semester. In order to understand this show, please read the assigned texts, then watch the opening episode of the series. We will watch the show, as well as specific clips in class and discuss why Buffy is a great case for examining religion and popular culture.
Every episode of Buffy the Vampire Slayer is 45 minutes and we will watch one together in class after a brief introduction. You are invited to watch the episode before class to formulate your questions.
Read Wilcox, Rhonda V and David Lavery. "Introduction Download Introduction," in Fighting the Forces: What's at Stake in Buffy the Vampire Slayer. Ed. Rhonda V. Wilcox and David Lavery, xvii-xxix. Lanham, MD: Rowman and Littlefield Publishers, 2002.
In this brief introduction to one of the first academic volumes about Buffy, Wilcox and Lavery make an argument for the significance of the show. They situate Buffy at the beginning of a new era of "quality television." In addition, they briefly describe the chapters in the book only one of which we will be assigning in class. You may wish to consult this volume for scholarship that supports you own analytical work.
Read Playdon, Zoe-Jane. "'The Outsiders' Society': Religious Imagery in Buffy the Vampire Slayer. Download The Outsiders' Society': Religious Imagery in Buffy the Vampire Slayer." Slayage: The Online International Journal of Buffy Studies 2.1 (2002): 15 pages
In her article, Playdon uses feminist theory to talk about the transgressive nature of Buffy. After introducing her approach, Playdon talks about how the character of Buffy Summers collapses or overturns some entrenched binaries. Most notably, she argues that Buffy is an unusual superhero for being both born and made. She also looks at the distinction between training and education as found in the show.
As you read, pay attention to the way that Buffy's character and situation upends familiar religious themes such as the transcendence of the divine, the nature of redemption, and understandings of identity.
Playdon also writes about the "political" nature of Buffy, and we caution you not to overlook this section. Much of what Playdon describes as political can rightly be understood as religious in nature.
Watch "Welcome to the Hellmouth" (season 1, episode 1, aired 10 March 1997). While watching, please use thisviewing chart Download viewing chartto take notes on important scenes.
Brief summary: In this first episode of the series, we meet Buffy Summers, the slayer, after her arrival in Sunnydale, California. She has moved from Los Angeles with her mother after Buffy was expelled from her high school. In the course of the episode, we meet Rupert Giles, the librarian and Buffy's watcher; Willow Rosenberg, who will become Buffy's best friend, and Xander Harris, a trusty side-kick to Buffy and Willow. We are also introduced to the fact that Sunnydale High School sits atop the Hellmouth, that is, the opening between earth and a hell dimension (note: there are many hell dimensions, as we will learn over the course of the series, but this one is directly below the high school library). In the lower region, we meet the ancient vampire, the Master, and his servant vampires. They await a specific day, the Harvest, when the Master can be freed from below and rise to earth. In next week's episode, we learn more about the Harvest, and Buffy's efforts to stop the Master's plans.
Direct links: Mymedia or DropboxLinks to an external site.
For lots of information about every episode of Buffy the Vampire Slayer, you can consult the buffy.fandom.com/wikiLinks to an external site. For this episode: https://buffy.fandom.com/wiki/Welcome_to_the_HellmouthLinks to an external site.
[New] Slides from class: RLG 233S_ Religion and Popular Culture week 1 slides-1.pdf
Buffy: Saviour(s)
This week, we look more closely at the character of Buffy Anne Summers, the chosen one, and examine how messianism is important in many religious traditions. Our episode is the second half of the two-hour series premier, which was broadcast (along with Welcome to the Hellmouth) on March 10, 1997.
Last time, we met all of the core characters for the series, as well as the key villain for season one, the Master. This time, we learn more about the Master's planned "Harvest," the ritual slaying of many victims who are then fed to the Master to allow him to escape from his hell dimension.
Our topic this week is three-fold: two religious notions of the end of the world (apocalypticism and millenarianism) and the idea of a messianic or saviour figure who prevents (or perhaps merely delays) the end of the world. As we will learn, Buffy saves the world a lot (see "The Gift" at the end of season 5 for this reference). As a "chosen one," Buffy fits into a long line of saviour figures from a number of religious traditions. In some ways, she accords to those traditions (a outsider who enters the fray in order to save it), but in others she defies the traditions (for example, by having friends and family).
Download and skim Stafford, Nikki. "The Story of Download The Story of Buffy the Vampire Slayer, Download Buffy the Vampire Slayer." In Bite Me!: An Unofficial Guide to the World of Buffy the Vampire Slayer. Toronto: ECW Press, 2007.
Read Greisinger, Luz. "Apocalypticism, Millenarianism, and Messianism Download Apocalypticism, Millenarianism, and Messianism." In The Oxford Handbook of the Abrahamic Religions. Ed. Adam J Silverstein and Guy Stroumsa, 272-294. New York: Oxford University Press, 2015.
Watch "The Harvest" (season 1, episode 2, aired 10 March 1997). While watching, please take note of important scenes in this viewing chart Download viewing chart.
Note that we will only be watching clips of the episode in class, so we encourage you to watch the whole episode before class meets.
Direct link: MyMedia or DropboxLinks to an external site.
For more information: https://buffy.fandom.com/wiki/The_HarvestLinks to an external site.
Slides for this week's class: RLG 233 The Harvest Week 2 slides.pdf
The narrative between season 1 episodes 2 and 12
[Xander, Giles, Buffy, Cordelia, and Willow, aka The Scooby Gang]
In this first season of Buffy, we meet the Scooby Gang (see above) who work with Buffy to fight the Master, an ancient vampire. The Master is caught in the very mouth of hell (conveniently located beneath the library at Sunnydale High School) and works to be free. His ultimate rise from Hell is predicted in the Pergamum Codex, an ancient book of prophesies about the Slayer.
While the Master's efforts to break down the wall that keeps him below ground appear throughout the season (and form the central action of the final episode), there are also episodes with "monsters-of-the week," such as demons and witches. More importantly, we also meet the mysterious Angel, the vampire with a soul who has pledged to help Buffy (and ends up falling in love with her and she with him).
As the Master's plot line unfolds, we see him sending out his vampire devotees to gather victims to feed him; there is also a child known as the Anointed One, whose purpose is to bring Buffy to the Master.
For more information about the episodes in season one between the opening and closing episodes (which we are watching), consult:
https://buffy.fandom.com/wiki/Buffy_the_Vampire_Slayer_season_1Links to an external site.
There you will find an overall narrative, as well as brief descriptions of all episodes. If you click on the titles of the episodes, you can see a more detailed discussion. This site can help you choose an episode for your final report.
January 22: Prophecy Girl (week 3)
Giles: Speech-Acts (Texts and Rituals)
This week, we look at the character of Rupert Giles, high school librarian and Watcher. As Watcher, an official position overseen by The Watchers Council in England. As Watcher, Giles is the keeper of traditions, rituals, and texts that are essential to the Slayer's craft, as such, Giles is a lot like librarians, scribes, and ritual actors in religious traditions around the world. We shall look at Giles and the topic of performance and texts.
Central to this season finale is the importance of the Pergamum Codex, which contains a prophesy about the Slayer and the Master. Giles works first to understand the prophecy and then to defy it, if possible.
In a development from earlier episodes this season, we learn that Angel is, in fact, a vampire. He differs from other vampires in that he has a soul, hence is working for the good. He is also quite capable to love, and falls in love with Buffy (and she with him). This relationship is complicated, to say the least.
Our third hour this week will be dedicated to discussing the Proposal for the major assessment. Please read over the proposal options (written or audio/visual) prior to attending.
Read Overbey, Karen Eileen and Lahney Preston-Matto. "Staking in Tongues: SPeech Act as Weapon in Buffy. Download Staking in Tongues: SPeech Act as Weapon in Buffy." In Fighting the Forces: What's at Stake in Buffy the Vampire Slayer. Ed. Rhonda V. Wilcox and David Lavery, 73-84. Lanham, MA: Rowman & Littlefield Publishes, Inc., 2002.
In this chapter, the authors outline John Searle's theory of the speech-act, which describes language (speech) that is both descriptive and effective. The class example of such a speech-act is when someone declares the Olympic Games open, or when an officiant declares that two people are married: there is a descriptive quality, but the statement also makes the description true.
The chapter covers the way that Buffy, Xander, Willow, and Giles all engage with language. The sections on Willow and Giles are especially relevant to our topic this week as they are both charged with finding, translating, and enacting various texts, including rituals and magic spells (both excellent examples of speech-acts).
Watch “Prophecy Girl” (s01,e12, aired June 2, 1997)
Direct link: MyMedia or DropboxLinks to an external site.
Episode information: https://buffy.fandom.com/wiki/Prophecy_GirlLinks to an external site.
Slides for this week's class: RLG 233 (2025) Week 3 Prophecy Girl.pdf
January 29: Becoming (week 4)
Angel: Redemption
The theological idea of redemption, of restoration to good standing with the divine or self, is found throughout Buffy the Vampire Slayer. There are a number of significant redemptive narratives for characters such as Spike (from evil vampire to one who strives for a soul and to support the Slayer) and Willow (from losing control of her dark magicks to channelling it for good). As Playdon argues, redemption in Buffy is about a return to personal wholeness, rather than reconciliation with a god(s).
The redemptive arc for Angel begins before the contemporary story of Buffy Summers, back in his own history. In these two episodes we see how Angel became Angelus, the evil vampire, and how Angelus was cursed to suffer for his crimes. The suffering en-souled Angel is the character we have come to know, then lost, in the first two seasons of the show. Our reading for this week describes the different ways that redemption has functioned in the novel, which gives us greater insight into the theme as both theological and narratological. As we shall see in subsequent seasons, Angel's story does not end here, nor does his quest for redemption.
Re-read Playdon Download Playdon, para 23.
Read Boscaljon, Daniel. "Possibilities of Redemption Through The Novel Download Possibilities of Redemption Through The Novel." In The Oxford Handbook of English Literature and Theology. Ed. Andrew Hass, 760-775. New York: Oxford University Press, 2009.
In this chapter (which has nothing to do with Buffy), the author looks at the way that the modern English novel has taken a theological idea (redemption as reconciliation to god) and made it non-religious (reconciliation to self and others). The chapter recognizes changes in the way the novel deals with redemption over that last 300 years, and identifies some clear patterns in each era.
Watch "Becoming, Parts One and Two," (s2, e21-22, aired 12 and 19 May 1998) (two episodes, 90 minutes in total). We will watch clips from both episodes in class. Here is an expanded Viewing Chart Download Viewing Chartto keep track of your notes.
Part One:
Direct link: MyMedia or DropboxLinks to an external site.
Part Two:
Direct link: MyMedia or DropboxLinks to an external site.
Slides from this week's class: RLG 233 (2025) Week 4 Becoming.pdf
Discussing Redemption
We had an interesting conversation about the redemption of Angel. I posed as a question for the discussion, "Was Angel redeemed this week? If so, how; if not, why not? Below are some of the comments your provided.
I think it really depends on the definition of redemption. If redemption means atonement and being forgiven, then he may not be fully redeemed because his soul was taken by an outside force and not by his own choice. If redemption means suffering the consequences, then he did experience punishment (being sent to hell)
Yes Angel is redeemed. Angel gets his soul back (salvation event), he cries (suffering), shows him caring about Buffy. But Buffy kills him to prevent Acathla’s hell. His death saves humanity, redeeming himself in the end
Can we say that Angel is redeemed in two ways? He is redeemed by a return to his suffering and atonement state, a return of his soul that is caused by Willows spell (arguably not a redemtion so much as a return to his path to redemption). Secondly, his death provides a redemption for others that have been suffering while he is Angelus (ie. Spike, Buffy, Sunnydale community in general).
yes and no, since Angel's soul was back early, it is as if angel is taking the punishment instead of angelus. At this point it is as if they're two different people. Angel is redeemed but for something "he" didn't do
Vote 3, voted by anonymous: yes and no, since Angel's soul was back early, it is as if angel is taking the punishment instead of angelus. At this point it is as if they're two different people. Angel is redeemed but for something "he" didn't do
He was redeemed in the sense that he died and in doing so "saved the world" (although he did cause the problem to begin with). Since Buffy was the only one who saw his return to his original self, he was redeemed in Buffy's mind, but maybe not in the minds of those who did not know whether or not the spell was able to get his soul back on time
The narrative in season 3 (up to episode 15)
The season opensLinks to an external site. with Buffy hiding out in Los Angeles after beeing kicked out of school and home. Eventually, she returns to Sunnydale where she encounters a new Slayer, Faith Lehane (who has been called following the death of Kendra). On the "big evil" front, season three follows the efforts of the Mayor Wilkins, as he recruits demonic support for his rise to power. Along the way, Angel returns from the hell dimension where we was tortured for 100 years (time moves more slowly in hell, as we learn in "Anne," the season's first episode) and secretly reunites with Buffy. Oz, Willow's boyfriend, is turned into a werewolf. And heart-broken Spike also returns to Sunnydale after Drusilla drops him in Mexico. He vows his revenge on Angel (as Angelus) for turning Dru against him. Anyanka, an ancient vengeance demon, preys on the Scoobies, but eventually gets trapped in human form (as Anya). It is Anya who asks Willow for help casting a spell in this week's episode.
In a rather poignant episode (s03e10), Angel tries to immolate himself in the rising sun as a form of amendsLinks to an external site.for his past violence and cruelty, but Buffy convinces him that it is his work that will redeem him rather than his death. Buffy and FaithLinks to an external site. bond over their shared identity as Slayers, but Faith's recklessness leads to the death of a human, which sets Faith down a dark path alongside Mayor Wilkins.
February 5: Doppelgängland (week 5)
Willow: Gender and Sexuality
This week, we look at Willow Rosenberg, Buffy's best friend and member of the Scoobie Gang, and the construction of gender and sexuality in Buffy and religion. While Willow is ostensibly "straight" in the first few seasons of the show, by the fifth season, she is in a relationship with another woman, Tara.
The episode we are watching depicts an "upside-down" world where the Willow we know in seasons 1-3 is transformed into a very different, queer version. This is an engaging example of how gender and sexuality are both constructed.
Read Juschka, Darlene M. "Feminism and Gender Theory Download Feminism and Gender Theory." In The Oxford Handbook of the Study of Religion. Ed. Michael Stausberg and Steven Engler, 137-49. New York: Oxford University Press, 2016.
In this essay, Professor Juschka breaks down the ways in which sex and gender have been studied over the past 50 or so years. As she notes, there has been a movement to recognize both sex and gender as social constructs and not reducible to biological binaries.
[Optional read: Jones, Alexander Mae. "Trump claims there's only '2 genders.' Historians say that's never been true." cbc.caLinks to an external site., February 2, 2025. You can download the article Download download the articlehere.
This brief article does a great job of describing how recent claims about gender are in contrast to historical realities.]
Watch "Doppelgängland" (season 3, episode 16, aired 23 February 1999)
Direct link: MyMedia or DropboxLinks to an external site.
Slides from class: RLG 233 Week 5 Doppelgängland slides.pdf